Farshid Iravani Ghadim
Isfahan University of Art, Archaeology, Faculty Member
- Iron Age, Kurgans, Kurgan Studies, Blacksea Archaeology, Urartu, Achaemenid archaeology, and 18 moreAnatolian Archaeology, History and Archeology, South Caucasus (Armenia, Azerbaijan, Georgia), Near Eastern Archaeology, Empires, Achaemenid Archaeology, and Iron Age (Archaeology), Hellenistic Architecture, South Caucasian Archaeology, Scythian archaeology, Scythian and other Eurasian Nomadic Horse Warrior Cultures, South Caucasus (Armenia, Azerbaijan, Georgia) in Prehistory, South Caucasus Archaeology, BMAC Archaeology, Doğu Anadolu, Kuzeybatı İran, Transkafkasya Arkeolojisi, Cimmerians, Near Eastern Archaeology, Ancient Near East (Archaeology), Anatolian Archaeology (Archaeology), Anatolian Studies, History, Archaelogical Sciences, and Archaelogicaledit
- Associate Professor, Department of Archaeology, Isfahan University of Artedit
Research Interests: History, Archaeology, Near Eastern Archaeology, Prehistoric Archaeology, Historical Archaeology, and 15 moreZooarchaeology, Archaeological Method & Theory, Theoretical Archaeology, Archaeology of Caucasus, Social zooarchaeology, Scythian archaeology, Ritual Zooarchaeology, Eurasian Prehistory, Ancient Near East (Archaeology), Archeological Science, Scythians, Eurasian archaeology, Archaeology of the Eurasian steppe belt, Eurasian Nomadic Horse Warrior Cultures, and Eurasian Nomadic Cultures
The turtle shell attested in Kurgan 8 from the excavations of Jafar-Abad and Tu Ali-Sofla kurgans (in northwestern Iran), is the carapace of an animal belonging to the family Testudiniae sp. and was adapted to make a stringed instrument... more
The turtle shell attested in Kurgan 8 from the excavations of Jafar-Abad and Tu Ali-Sofla kurgans (in northwestern Iran), is the carapace of an animal belonging to the family Testudiniae sp. and was adapted to make a stringed instrument by a talented hand. It is 18 cm long and 15 cm wide. It was cut into a circle before being ornamented with incised designs. As stated above, it was found together with a bone fingerpick. It is supposed that the excavated tomb was belonged to a Shaman because of stringed musical instrument introduced from kurgan 8, with numerous and various womanish bronze artifacts. The material culture from Kurgan 8 could be dated to the Iron Age II (ca.1200- 800 B.C). The instrument is paralleled in a representation on a terracotta tablet from Susa dated to the second millennium BC The tradition of making musical instruments from tortoises shell, an earliest example of which is introduced here, has continued into the modern period, even possibly retaining the ancient forms.
https://www.academia.edu/38380117/ANIMAL_REMAINS_EXCAVATED_AT_JAFAR_ABAD_AND_TU_AL%C4%B0_SOFLA_KURGANS_NORTHWEST_IRAN_2010_AND_2013_SEASONS_T%C3%9CBA-AR_23._2018_pp.101-120
https://www.academia.edu/38380117/ANIMAL_REMAINS_EXCAVATED_AT_JAFAR_ABAD_AND_TU_AL%C4%B0_SOFLA_KURGANS_NORTHWEST_IRAN_2010_AND_2013_SEASONS_T%C3%9CBA-AR_23._2018_pp.101-120
Research Interests: History, Cultural History, Near Eastern Archaeology, Music History, Art History, and 15 moreMusic Technology, Near Eastern Studies, Zooarchaeology, Archaeological Science, Musical Instrument Technology, History of Art, Archaeological Ethics, Scythian archaeology, Ritual Zooarchaeology, Ancient Near East (Archaeology), Iron Age, Archaeological Excavation, Archaeology of Music, Archaeology of the Eurasian steppe belt, and Scythian and other Eurasian Nomadic Horse Warrior Cultures
Typology and Introducing the Iron Age Ceramics of Jafar Abad Kurgan’s in Khoda Afarin Area (The First Excavation), Journal of Archaeological Studies, 2013, pp.33-50.
گونهشناسی و معرفی سفال های عصر آهن کورگان های جعفرآباد خداآفرین (فصل اوّل کاوش)، مطالعات باستان شناسی، پاییز وزمستان1391،ص 33- 50more
Research Interests: Typology, Iranian Archaeology, Iranian Studies, History of Iran, Iranian Art History, and 15 moreIranian History, Kurgans, Ancient Iranian Religion, Scythian archaeology, Iron Age, Pottery, Ancient Iran, Iran Archaeology, Caucasian Archaeology, Early Transcaucasian Culture, South Caucasian Archaeology, Scythian and other Eurasian Nomadic Horse Warrior Cultures, Scythian Animal Style, Kurgan Studies, and Archeology
From engraved metal artifacts of bronze land (Luristan), it should be referred to unique objects named disc pin head that are from makeup, ritual and religious requirements. Different types of these pinheads are observed from graves,... more
From engraved metal artifacts of bronze land (Luristan), it should be referred to unique objects named disc pin head that are from makeup, ritual and religious requirements. Different types of these pinheads are observed from graves, temples and also on deco rational motive of figures applied in decoration motive of figures applied in decoration of pinhead. Building pinheads began from the late of third millennium B.C and continue to the first half of first millennium B.C. Disk pinheads have much more diversity and different species that at eight and nine centuries B.C reach to its peak of development and beauty. Disk pinheads is composed of one flat engraved head and one bar that often are made of bronze and sometimes both bronze and iron with two methods. Molted in mold and hammering. Pin heads are divided into two disc pinheads: circle and square and based on motive and deco rational subjects on its disk are divided into several motive and subjects that are geometrical, herbal, human, animal and combinational motives, Key questions pacing present researcher are: 1) what is the objective of building and decoration of these pinheads? 2) Why these objects are often obtained from grave and temples? In present writing. In addition to answer the questions and considering and analyzing the motive of these pinheads from the art and visual perspective, it is tried to offer the integrated and rationale analysis based on motive typology, use kind, building method, building technique and motive of disc pinheads that are made in bronze and iron age.


