English: This is a press photo, circulated for publicity, of Rod Steiger in 1964, published in 1971 without copyright notice, qualifying it under public domain.
The photo has no copyright markings on it as can be seen in the link above.
See also w:film still article, which explains that publicity photos were traditionally not copyrighted.
No copyright registered for this photo.
It was created for publicity purposes-distribution to the media and the image was meant to bring attention and publicity for actors and actresses. See also w:film still article.
Film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):
"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)
"Publicity Photos (star headshots) older publicity stills have usually not been copyrighted and since they have been disseminated to the public, they are generally considered public domain and therefore there is no necessity to clear them with the studio that produced them (if you can even determine who did)."
United States Copyright Office page 2 "Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies.
2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles.
Αυτό το έργο είναι κοινό κτήμα επειδή δημοσιεύτηκε στις Ηνωμένες Πολιτείες μεταξύ 1931 και 1977 και χωρίς σημείωση πνευματικών δικαιωμάτων. Εκτός αν ο δημιουργός έχει πεθάνει πριν πολλά χρόνια, αποτελεί πνευματική ιδιοκτησία σε πολλές δικαιοδοσίες όπου δεν ισχύει ο κανόνας της μικρότερης διάρκειας για αμερικανικά έργα, όπως στον Καναδά (70 p.m.a.), Ηπειρωτική Κίνα (50 p.m.a., εκτός Χονγκ Κονγκ και Μακάου), Γερμανία (70 p.m.a.), Μεξικό (100 p.m.a.), Ελβετία (70 p.m.a.), και άλλες χώρες με ξεχωριστές συνθήκες. Δείτε αυτή τη σελίδα για ευρύτερη εξήγηση.
English: This is a publicity still taken and publicly distributed to promote a film actor.
As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.): "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes: "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them."
Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes: "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that: "[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."
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{{Information |description={{en|1=This is a press photo, circulated for publicity, of Rod Steiger in 1964, published in 1971 without copyright notice, qualifying it under public domain.}} |date=1971 |source='''eBay:''' https://www.ebay.com/itm/165229448628 '''Archive:''' https://archive.ph/KNN2t |author={{unknown photographer}} |permission=*The photo has no copyright markings on it as can be seen in the link above. *See also w:film still article, which explains that pub...
Αυτό το αρχείο περιέχει πρόσθετες πληροφορίες, πιθανόν από την ψηφιακή φωτογραφική μηχανή ή το scanner που χρησιμοποιήθηκε για την δημιουργία ή την ψηφιοποίησή της. Αν το αρχείο έχει τροποποιηθεί από την αρχική του κατάσταση, ορισμένες λεπτομέρειες πιθανόν να μην αντιστοιχούν πλήρως στην τροποποιημένη εικόνα.
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