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The Mirror Empire (Worldbreaker Saga Book 1) Kindle Edition
On the eve of a recurring catastrophic event known to extinguish nations and reshape continents, a troubled orphan evades death and slavery to uncover her own bloody past . . . while a world goes to war with itself.
In the frozen kingdom of Saiduan, invaders from another realm are decimating whole cities, leaving behind nothing but ash and ruin. At the heart of this war lie the pacifistic Dhai people, once enslaved by the Saiduan and now courted by their former masters to provide aid against the encroaching enemy.
As the dark star of the cataclysm rises, an illegitimate ruler is tasked with holding together a country fractured by civil war; a precocious young fighter is asked to betray his family to save his skin; and a half-Dhai general must choose between the eradication of her father's people or loyalty to her alien Empress. Through tense alliances and devastating betrayal, the Dhai and their allies attempt to hold against a seemingly unstoppable force as enemy nations prepare for a coming together of worlds as old as the universe itself. In the end, one world will rise—and many will perish.
Stretching from desolate tundras to steamy, semi-tropical climes seething with sentient plant life, this is an epic tale of blood mages and mercenaries, emperors and priestly assassins, who must unite to save a world on the brink of ruin.
File Under: Fantasy [ Orphaned Child | World at War | Blood Magic | The Fluidity of Gender]
- LanguageEnglish
- PublisherAngry Robot
- Publication dateAugust 26, 2014
- File size3.1 MB
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Editorial Reviews
Review
Nominated for the Locus Award for Best Fantasy
Shorlisted for the Gemmell Morningstar Award
“With vividly inventive world building and a fast-paced plot, The Mirror Empireopens a smart, brutal, and ambitious epic fantasy series. Book two is already on my must-read list.”
– Kate Elliott, author of the Spiritwalker series
“The Mirror Empire is the most original fantasy I’ve read in a long time, set in a world full of new ideas, expanding the horizons of the genre. A complex and intricate book full of elegant ideas and finely-drawn characters.”
– Adrian Tchaikovsky, author of The Shadows of the Apt series and finalist for the 2014 Gemmell Legend Award
“The Mirror Empire is epic in every sense of the word. Hurley has built a world – no, worlds – in which cosmology and magic, history and religion, politics and prejudice all play crucial roles. Prepare yourself for sentient plants, rifts in the fabric of reality, and remarkable powers that wax and wane with the stars themselves. Forget all about tentative, conventional fantasy; there’s so much great material in here that Hurley needs more than one universe in order to fit it all in.”
– Brian Staveley, author of The Emperor’s Blades
STARRED REVIEW: “This is a hugely ambitious work, bloody and violent, with interestingly gender-flipped politics and a host of factions to keep straight, as points of view switch often. Although it is a challenging read, the strong narrative thread in this new series from Hurley (God’s War) pulls readers through the imaginative tangle of multiple worlds and histories colliding.”
– Library Journal
STARRED REVIEW: “Hurley (Rapture) reuses old tropes to excellent effect, interweaving them with original elements to create a world that will fascinate and delight her established fans and appeal to newcomers. Readers will blaze through this opening instalment and eagerly await the promised sequel.”
– Publishers Weekly
“The Mirror Empire is an extraordinary novel. The scale and invention here makes it essential reading but the characters make it remarkable. None of them are heroes and none of them have the comforting sense of having read the book they’re in. They’re all flawed, terrified people doing what they can to survive. Seeing them struggle even as the stakes are raised makes for a reading experience as packed as it is tense. Book 2 can’t get here fast enough.”
– Alasdair Stuart
“Taking epic fantasy down challenging and original paths. Thoughtful and thought-provoking with every twist and turn.”
– Juliet E. McKenna
“Hurley intelligently tackles issues of culture and gender, while also throwing in plenty of bloodthirsty action and well-rounded characters. This is a fresh, exciting fantasy epic that’s looking to the future and asking important questions. 4****/5”
– SFX magazine
‘‘The novel achieves what the most important fantasy strives for: it gives us a world the like of which we have never quite seen before, but that offers us some often unpleasant and provocative shocks of recognition.’’
– Gary K. Wolfe, for Locus magazine
“The Mirror Empire is a fresh, vigorous, and gripping entrant into the epic fantasy genre, able to stand toe-to-toe with any of the heavyweight series out there. I cannot recommend this novel highly enough.”
– SF Revu
“For me [The Mirror Empire] did all the things a fantasy should do – holding our own societies up to the light by reflecting off worlds that are very different. Add in a magic system where the users are only powerful some of the time, and semi sentient vegetation that is possibly more of a threat than the magic users, and I happily sank into this book with a satisfied sigh.”
– Francis Knight, author of Fade to Black
“Bold, merciless, and wildly inventive, Kameron Hurley’s The Mirror Empire begins an epic tale of worlds at war that will linger long in readers’ imaginations. If you’re looking for original and challenging fantasy, this is definitely the series for you.”
– Courtney Schafer, author of The Whitefire Crossing
“There’s a powerful yet elegant brutality in The Mirror Empire that serves notice to traditional epic fantasy: move over, make way, an intoxicating new blend of storytelling has arrived. These are pages that will command your attention.”
– Bradley Beaulieu, author of The Lays of Anuskaya trilogy
“The Mirror Empire takes look at epic fantasy patriarchy & gives it a firm kick in the balls… [it] will be the most important book you read this year.”
– Alex Ristea, Ristea’s Reads
“Hurley has bitten off an awful lot with her ambitious The Mirror Empire. And for those of us who are bored with a linear and predictable narrative, this is a very good thing. Hurley seems determined to supplant nearly every fantasy troupe, even down to her five-gendered social structure with group marriage and funerary cannibalism. These bold rejections of what we take for granted in our own society are illuminating in Hurley’s hands.”
– Sword & Laser
“In the two worlds of The Mirror Empire, we get Deadly Plants, Blood Magic, and yes, Brutal Women. The Mirror Empire is both a chance for fantasy fans to get to know Hurley’s writing, and for previous fans of her work to see what she can do in a new vein. And for readers new to her work, this is in many ways the best place to start. 4.5****/5.”
– Paul Weimer, SF Signal
“One of the most stunning epic fantasies I’ve read this year. The setting is unique and plays a major role in the story. A spectacular novel.”
– Books Without Any Pictures
“With her new epic fantasy series, Hurley has shown that she is no one trick pony. The Mirror Empire is a fresh, vigorous, and gripping entrant into the epic fantasy genre, able to stand toe-to-toe with any of the heavyweight series out there.”
– SF Revu
“There is so much to talk about in The Mirror Empire — whether you stick to the complexities and layers of its unfolding plot, or delve into its ideas about family and sexuality and human intimacy — and it’s Hurley’s staunch insistence on following her own drumbeat that has resulted in such a rewarding reading experience.”
– SFReviews.net
“I can’t even tell you how much I liked this book. It was long, yes, but I didn’t mind it because there was just so much awesome happening. I classify it as a fantasy, but it could also be considered science fiction, what with the parallel universes and binary star system and all.”
– In Case of Survival
“At its best this novel is as good as anything I have read this year. Expect to hear ‘ambitious’ a lot; I couldn’t imagine the mental and physical mapping it would take to hold all these pieces together but hold together they do. The world is alive, the world is unique, and the world is actually built rather than borrowed.”
– Fantasy Review Barn
“The Mirror Empire is an interesting, raw-nerved work of epic fantasy built from the ground up…By the end of this first volume in her new series, the author leaves each of the main characters with a satisfying conclusion while putting to each of them new problems… May the author not keep us waiting too long for the second instalment”.
– Borrowed Worlds
“If I had known how good The Mirror Empire was going to be, I would have waited until after the sale and paid full price as a show of support to the author. As it was, I bought one of her other books to make up for it”.
– 20Four12
“Astoundingly inventive.”
– The Illustrated Page
“The Mirror Empire is a fast-paced and exciting read, and the start of quite possibly one of the greatest political dramas I have ever picked up.”
– Coffee on My Keyboard
“I loved this book. It’s a wonderful book. Kameron Hurley’s The Mirror Empire is essentially what I wanted Game of Thrones to be: it’s a truly epic fantasy which grapples with fraught ethical questions while immersing me in a meticulously built out world of wonder.”
– Clatter and Clank
“There is plenty of originality here, and a vivid, sweeping quality of culture that cannot go unnoticed and unrecognized. In terms of worldbuilding, it was top notch, and without a trace of the western aligned molds fantasy so often falls so neatly into.”
– The Waking Den
“The world-building is incredibly creative and, sometimes, brutal. I love it.”
– Mental Megalodon
“One of the best epic fantasy novels I’ve read in a long time. It’s the sort of fantasy with the perfect balance of violence and horror that gives you chills and thrills down your spine.”
– Fairy Bookmother
“A saga that fascinates mainly by its striking and original setting. An unstoppable mix of action, mystery, magic and adventures.”
– El Caballero del Árbol Sonriente
“Hurley forcefully flips every genre trope in her sights to create a work simply exploding with a kind of anarchic, creative ferocity. This is not your grandad’s epic fantasy.”
– SFF180
“Totally fascinating!”
– To Boldly Nerd
From the Back Cover
In the frozen kingdom of Saiduan, invaders from another realm are decimating whole cities, leaving behind nothing but ash and ruin. At the heart of this war lie the pacifistic Dhai people, once enslaved by the Saiduan and now courted by their former masters to provide aid against the encroaching enemy.
As the dark star of the cataclysm rises, an illegitimate ruler struggles to unite a country fractured by civil war; a precocious young fighter is asked to betray his family to save his skin; and a half-Dhai general must choose between the eradication of her father's people or loyalty to her alien Empress.
In the end, only one world will rise - and many will perish.
About the Author
She is a two-time Hugo Award winner (Best Fan Writer and Best Related Work) and she has been a finalist for the Nebula Award and the Locus Award. Her latest novel, The Mirror Empire, will be published by Angry Robot Books in September 2014.
Product details
- ASIN : B00IQQUYVK
- Publisher : Angry Robot
- Accessibility : Learn more
- Publication date : August 26, 2014
- Language : English
- File size : 3.1 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 508 pages
- ISBN-13 : 978-0857665577
- Page Flip : Enabled
- Book 1 of 3 : Worldbreaker Saga
- Best Sellers Rank: #162,569 in Kindle Store (See Top 100 in Kindle Store)
- #182 in Add Audiobook for $3.99 or Less
- #1,155 in Saga Fiction
- #1,574 in Coming of Age Fantasy (Books)
- Customer Reviews:
About the author

Kameron Hurley is the author of the the upcoming science fiction thriller, These Savage Stars (2025/6), The Light Brigade, The Stars are Legion and many other titles, including The Worldbreaker Saga and The God's War Trilogy. Hurley’s work has been awarded the Hugo Award, Locus Award, Kitschy Award, and Sydney J. Bounds Award. She was also a finalist for the Arthur C. Clarke Award, the Nebula Award, and the Gemmell Morningstar Award. Her short fiction has appeared in Popular Science Magazine, Lightspeed and numerous anthologies. Hurley has also written for The Atlantic, Writers Digest, Entertainment Weekly,The Village Voice, LA Weekly, Reactor, Bitch Magazine, and Locus Magazine. She posts regular updates, essays, and episodes of her podcast "Get to Work Hurley!" at her website. New short stories are posted monthly on Patreon.
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Top reviews from the United States
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- Reviewed in the United States on November 9, 2017Format: PaperbackVerified PurchaseEven before I finished this book, I knew I was going to buy the next one. Or at least add it to my wishlist in case someone wants to buy it for me (Fluxxdog?). This book was bloodier than I thought it would be, but that's what happens when you have characters who can use blood magic. At the same time, it was so very, pleasantly different that I kept reading and enjoying myself.
I absolutely loved the fact that there is no one standard for "civilized society" in any of the countries represented in this book. The Dorinah are very strictly matriarchal (it's actually very dangerous for a man to go outside by himself). The Dhai are less strict on gender roles and even have five different pronouns that you can choose from for yourself. The Saiduan are more patriarchal and you will have your gender pronoun assigned to you from the three options.
As nice as those sound, the men in Dorinah are highly uneducated and are possibly even lower than the dajian (enslaved Dhai). In Dhai society the new Kai is covered in the blood of the old Kai while a feast is made from her entire body. And The Saiduan find glory in death.
There is so much of this world to learn and all of it is incredibly interesting. It wasn't just politics, either, which was my absolute favorite part of this book. The world it takes place in has very actively carnivorous plant life. There are riddles. There are magics based on the ascendance of stars and technologies and medicines built off of them. There is so much to this world and there is clearly so much more to see! This is why I need to get my hands on the next book.
Additionally, I appreciated that I never felt the need to smack sense into a character. The main reason these characters do something stupid or naive is because they've had information withheld from them. The new Kai, Ahkio, is never given the full account. Roh is never told about one of his most potent abilities. Lilia is made purposefully ignorant of her homeland. I read these characters and I think they're doing the best with what they're given.
This is a longer review than I was expecting and I still haven't said everything I want to say. To sum up, this is a great book full of dark fantasy and amazing world building. I'm very interested in seeing where this world goes.
- Reviewed in the United States on October 9, 2014Format: KindleVerified PurchaseWith the first volume in the Worldbreaker Saga, Kameron Hurley paints an epic fantasy on a broad, colorful canvas. In the prologue she introduces Lilia, a young girl whose mother sends her through a portal to another world where she will be safe. I felt disoriented right along with her. Which is how the reader should feel. We enter this new world with her and learn about it. The one she left behind was strange enough: soldiers riding bears, people living in cocoons.
The central drive of this story is Lilia's journey to come to terms with what happened in the prologue. But Hurley throws a lot of other things into the mix. Lilia is as of the first chapter a drudge in the Temple of Oma, which serves more or less as the capital of Dhai. The Dhai have five genders and put a great deal of stress on consent. Oral consent is needed to even touch another Dhai. Hurley by and large tells the story through a Dhai lens. Most of the point-of-view characters are Dhai, and they play a bigger role in the grander epic. Militarily, they are the weakest, a pacifistic people. Their realm is protected by mountains and semi-sentient plants who also are the basis for the Dhai diet. The only meat that Dhai eat is other Dhai, usually for specific reasons.
Dorinah is a militaristic matriarchy that reminded me of a Roman Empire ruled by women. The Dhai who live there are by and large slaves who live in work camps and belong to the immortal Empress. Men among the ruling class are treated much like women were (are) in patriarchical societies. The main characters that we get to know here are Zezili, one of Empress's captains general, and her husband Anavha. They have a twisted relationship, probably even by Dorinah standards, that is by turns abusive and affectionate. Like a Roman patrician, the honor-driven Zezili takes any harm that comes to Anavha (not inflicted by her own hand) as a grave insult. She is also conflicted between loyalty to her Empress and the fact that a lot of her orders make no sense. She is brutal, fierce, and loyal.
Finally, there is Saiduan, a patriarchical empire separated from the island of Grania where Dorinah and Dhai lie by the sea. It is a land famed for its assassins, the sanisi, which has a Eurasian feel. At the beginning of the story, Saiduan is under attack from a mysterious invader. The Saiduan side of the story is told with chapters from the sanisi Taigan and his mentor Maralah.
The characters are what really drive the story. They are not by and large a chatty lot. Hurley relies instead on a lot of internal monologue, relating through the character's thoughts the history of their peoples, their own conflicts, and what they hope to accomplish. The point of view is generally rather distant compared to what I see a lot in epic fantasy, but overall it is effective.
The worldbuilding is engaging, as Hurley slowly reveals aspects of each society. The magic system is rather innovative, based on which of four stars is in the sky at a given moment. When a character's star is at its zenith, he or she can be incredibly powerful. Once it has set again, which may take a decade or more, he or she cannot access this power. Interesting limitation for the author to put on the characters.
There are some areas, however, where the author comes up a bit short. There were some minor editorial slip-ups. In one scene at the Temple, one minor character (in a crowded room, mind you) seems to change gender from one page to another. In retrospect, given how fluid gender is among the Dhai, the gender of some characters do not seem to matter. The other slip is the plural of 'captain general', which should be 'captains general' rather than captain generals. Minor point, but I felt it necessary to mention it. On the bright side, these stand out because I saw no gaping plot holes, no moments where the plot just gave out.
All said, The Mirror Empire is an interesting, indeed refreshing, work of epic fantasy built from the ground up. You will not encounter the standard pseudo-medieval setting in Hurley's narrative. Each of the three societies that she has created is very different, in terms of philosophy and how gender maps out. By the end of this first volume in her new series, the author leaves each of the main characters with a satisfying conclusion while putting to each of them new problems. May the author not keep us waiting too long for the second installment.
Top reviews from other countries
JunoReviewed in Canada on August 11, 20174.0 out of 5 stars Interesting premise
Format: KindleVerified PurchaseI enjoyed this book and will read the next in the series. This story is fairly complex and hard to follow the characters as there are so many with two parallel worlds.
A. WhiteheadReviewed in the United Kingdom on March 5, 20174.0 out of 5 stars A confusing opening gives way to a fresh and original fantasy novel
Format: Mass Market PaperbackVerified PurchaseThe subcontinent of Grania is divided between several nations, including the spiritual, peaceful Dhai and the more militaristic, aggressive kingdom of Dorinah. The murder of the Kai, the spiritual ruler of Dhai, sees her untested and inexperienced younger brother taking charge at a time of turmoil. Internal dissent against his rule is accompanied by assassination attempts...apparently from other Dhai, despite this being a violation of their ideology. Meanwhile, one of Dorinah's best generals is ordered to cull the Dhai slaves living in their kingdom, despite the destructive impact this will have on the economy, and a young girl living in a Dhai monastery discovers that her destiny is far more complex than she first thought.
The Mirror Empire is the first novel in The Worldbreaker Saga, Kameron Hurley's follow-up to her splendidly weird science fantasy Bel Dame Apocrypha trilogy. Worldbreaker is wholly fantasy rather than SF and features a lot of standard fantasy tropes, but it mixes these in with fluid gender definitions (some of the inhabitants of Grania are a third sex, or change gender depending on circumstance) and also makes use of the idea of alternate timelines and quantum ideas. Some of the villains of the story are the alternate-universe versions of some of the heroes, which is an interesting idea, especially because there are "good" and "bad" guys on both sides of the mirror and many of the characters are morally nuanced, with good guys doing despicable things and bad guys occasionally showing moral courage.
So far, so standard and so grimdark (if intelligently-realised). Hurley is different in that she seemingly has no interest in making this book easily accessible. In fact, I'd go as far as saying that the first hundred pages or so represent the densest and most-confusing entry to a fantasy series since Steven Erikson's Gardens of the Moon in 1999, which famously puts as many people off reading his Malazan series as it does entice them in to read more. The Mirror Empire opens in media res, features explosive flashbacks without providing context and features an absolute motherlode of invented terminology and nomenclature which will have you flipping to the glossary on a very regular basis. Entering a fantasy world and spending the first hundred pages wading through stodgy exposition is quite a dull experience, so I can see why Hurley took this course. However, this book arguably goes too far in the opposite direction and I can see some readers being alienated by the opening.
Once the book calms down and relents a bit from machine-gunning the reader with under-explained ideas and concepts every five seconds, it radically improves. The characterisation of our four key characters - Roh, Lilia, Zezili and Ahkio - is first-rate and we learn more about their motivations and foibles that makes them more interesting characters than it first appears. Hurley enjoys setting up archetypes - Lilia as the callow low-class girl with unusual powers and a destiny, or Ahkio as the inexperienced young heir thrust into ruling without adequate preparation - and then undercuts them. Lilia does some pretty horrific things in her quest for self-realisation and Ahkio applies his skills from navigating household politics to the greater nation at large and this helps him become a better ruler, as well as being clever enough not to trust the temple officials and to call upon his allies when necessary.
The book unfolds from that point with Hurley's customary vigour and her aggressive, take-no-prisoners approach really makes the book stand out from the fantasy crowd. By the end of the book it has achieved a significant narrative drive that will make you want to press on to the sequel, Empire Ascendant, immediately.
The Mirror Empire (***½) is a robust, entertaining and relentlessly original fantasy, playing with concepts of identity and destiny in a fresh manner. It's also a big that takes no prisoners and almost overwhelms the reader with concepts and invented nomenclature that can be alienating. Stick it out and you are rewarded with one of the better fantasy novels of recent years.
MaxineReviewed in Australia on January 10, 20205.0 out of 5 stars Creative, ambitious and epic
Format: KindleVerified PurchaseOnce again Hurley has shown us that she is an absolute force. I can only imagine how daunting this project was purely because of how epic in scope it is. I think the word dense could be used to describe this book (I don’t mean that in a bad way), there is so much worldbuilding, there are so many characters, there are so many cultures and histories and we get to dive into it all. She doesn’t hold us back. She gives us as readers everything she has and she smashed it out of the park. This is the longest book by Hurley I have read and as with her other stories she doesn’t waste words. Every word on the page has a purpose.
I love Hurley’s storytelling, I love her worlds, I love her characters, I love how far she pushes her characters. I love that she writes HER story and trusts the reader to get it.
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Amazon KundeReviewed in Germany on June 1, 20161.0 out of 5 stars Politik ist keine Ausrede für die Abwesenheit von World-Building
Format: Mass Market PaperbackVerified PurchaseIch muss zugeben, dass ich das Buch nicht zu Ende gelesen habe. Das allein sagt schon einiges, weil das sonst so gut wie nie vorkommt.
Die Politik der Autorin scheint von den ersten paar Seiten an aus dem Buch, und zwar stark genug, um einen zu blenden. In einer brutalen Welt auf mit mittelalterlichem Technologielevel sorgen sich die Charaktere vor allem, ob sie auch ja die richtigen 'gender pronouns' gewählt haben, um Leute anzusprechen, und ob für eine Berührung 'consent' eingeholt wurde.
Dass die Gesellschaftsnormen in dieser Welt den Diskussionsthemen pinkhaariger Gender-Studies Studentinnen entspricht, ist angesichts des Settings natürlich etwas überraschend, könnte aber natürlich irgendwo doch interessant sein, wenn sich die Autorin auch nur die geringste Mühe geben würde, Gründe zu finden, warum sich die Gesellschaft in ihrer Welt so entwickelt hat.
Stattdessen wird es einfach so hingestellt, als seien Gesellschaften das Ergebnis eines Zufallsexperimentes. Auch die Fantasy-Welt selbst wird zu keinem Zeitpunkt eingeführt oder aufgebaut, und scheint keinem erkennbaren Muster zu folgen. Sich in fantastische Welten und Gesellschaften reinzudenken ist nur dann unterhaltsam, wenn diese kohärent begründet und sinnvoll aufgebaut sind. In diesem Buch scheint World-Building egal zu sein: Hauptsache, die Autorin kann das Partriarchat zerschmettern und Gender-Normen aufbrechen.
Dazu kommt dann noch, dass die Charaktere dünner sind als Papier, wodurch dann eigentlich nichts mehr bleibt, für das ich dieses Buch empfehlen würde. Wer klassische Fantasy sucht, sollte sich von diesem Buch fernhalten. Und wer Fantasy lesen will, in der mit Geschlechterrollen gespielt wird, für den gibt es auch andere Bücher, in denen das cleverer, anthropologisch weniger armselig und mit besseren Charakteren getan wird.
Víctor VidalReviewed in Spain on April 2, 20202.0 out of 5 stars Hugely disappointed
Format: KindleVerified PurchaseI expected something else, and what I got is a book that lacks description and that doesn't allow the reader to understand anything or to feel the importance of what's going on.
THE WORLD IS IN DANGER, but you don't see why. They tell you... vaguely.
THESE PEOPLE IS IMPORTANT, because... I don't know.
There's even a scene where a character is described in one sentence like someone who "has a mean face". WHAT DOES THAT EVEN MEAN?
Anyway, it could have been amazing, but it only became forgettable.













































